Sean Shepherd has earned wide acclaim for his “fantastic gift for orchestral color” (New York Times),
and commissions from major ensembles and performers across the US and Europe. His music has
been commissioned and performed by the BBC, Chicago, Minnesota, Montréal, National, New World
and Pittsburgh symphony orchestras, radio orchestras in Austria, France, and Germany, and by leading
European ensembles including Ensemble Intercontemporain, the Scharoun Ensemble Berlin, the Asko|
Schönberg Ensemble, and the Birmingham Contemporary Music Group. Conductors who champion
Shepherd’s work include Christoph Eschenbach, James Gaffigan, Alan Gilbert, Cristian Macelaru,
Susanna Mälkki, Donald Runnicles, and Franz Welser-Möst. His works have been performed at festivals
in Aldeburgh, Heidelberg, La Jolla, Lucerne, Santa Fe, Aspen, the Grand Tetons, and Tanglewood.
In April 2025, the Dallas Symphony Orchestra premiered Shepherd’s Quadruple Concerto for its
principal winds, led by Fabio Luisi, and described by the Wall Street Journal as “uncompromising,
yet also somehow inviting. Even when his scores overwhelm, they don‘t alienate.” Summer 2025
brings the world premiere of Latticework, a large-scale virtuoso duo for violinist Leila Josefowicz
and cellist Paul Watkins, with performances in Michigan, Santa Fe, Portland and New York.
Shepherd’s orchestral work Express Abstractionism, co-commissioned and performed by the Boston
Symphony and Leipzig Gewandhaus Orchestras, led by Andris Nelsons, can be heard on a 2019
Naxos release of Boston Symphony commissions. Other recent highlights include Sprout, a climate-
change themed orchestral work that debuted at the Cabrillo Festival of Contemporary Music;
Downtime, premiered in 2021 by the WDR Sinfonieorchester Köln and Cristian Macelaru; String
Quartet No. 3, premiered in 2022 and toured in the US and abroad by the Pacifica Quartet; Tiny
Bright Big True Real for oboe, bassoon, and piano; Old Instruments for flutist Joshua Smith and
percussionist Jacob Nissly at the Fe Chamber Music Festival; saxophone quintet Sonata à 5 for fo
the Music Academy of the West; Familiar for cellist Anssi
Kartunnen and Echo for oboist Nicholas Daniel, each at
the Aldeburgh Festival; wideOPENwide for violinist Jennifer
Koh; and Concerto for Ensemble, which premiered at the
Philharmonie de Paris, with Matthias Pintscher and the
Ensemble Intercontemporain.
Shepherd is the 2024 recipient of the $200,000 Charles
Ives Living Award from the American Academy of Arts and
Letters. After serving as the Daniel R. Lewis Composer
Fellow at the Cleveland Orchestra and composer-in-residence
of Reno Philharmonic, his hometown orchestra,
Shepherd was named the New York Philharmonic’s inaugural
Kravis Emerging Composer in 2012. After composing
Magiya for the National Youth Orchestra of the United
States of America’s inaugural season and tour, he developed
the NYO-USA’s Composer Apprentice program with
Carnegie Hall’s Weill Music Institute, which he continues to
direct. He lives in New York with his husband and two children,
and his music is published by Boosey and Hawkes.
June 2025, reprinted by kind permission of Boosey & Hawkes